{"id":101,"date":"2018-01-25T18:49:38","date_gmt":"2018-01-25T18:49:38","guid":{"rendered":"https:\/\/pitombeira.com\/wp\/?page_id=101"},"modified":"2021-01-25T22:14:54","modified_gmt":"2021-01-25T22:14:54","slug":"recordings","status":"publish","type":"page","link":"https:\/\/pitombeira.com\/wp\/?page_id=101","title":{"rendered":"Recordings"},"content":{"rendered":"
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Some covers have a link<\/span><\/h5>\n<\/div>\n<\/div><\/div><\/div><\/div>
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Marcus Britto – Digital<\/h5>\t\t\t

Work recorded: Perfei\u00e7\u00e3o, Op. 2 for voice, flute, cello, and piano<\/p>\n<\/div>\n\t\t<\/div><\/div><\/div>

\"\"<\/a><\/div><\/div><\/div>
Berlin Philharmonic Windquintet – Summer Music<\/h5>\t\t\t

Work recorded: Ajubete Jep\u00ea Am\u00f4 Mba\u00ea, Op.10c, for woodwind quintet<\/p>\n<\/div>\n\t\t<\/div><\/div><\/div>

\"\"<\/a><\/div><\/div>
Syntagma<\/h5>\t\t\t

Work recorded: Varia\u00e7\u00f5es sobre o Juazeiro, Op.4a, Ajubet Jep\u00ea Amo Mba\u00ea, Op. 10a, Fantasia sobre a Mui\u00e9 Rend\u00eara, Op. 1a<\/p>\n<\/div>\n\t\t<\/div><\/div><\/div>

\"\"<\/a><\/div><\/div>
Choo Choo Me Home<\/h5>\t\t\t

Work recorded: Canto da Chuva, Op.28, for mixed choir<\/p>\n

Arpeggieauxs, conducted by Robert Green<\/p>\n<\/div>\n\t\t<\/div><\/div><\/div>

\"\"<\/div><\/div>
Departamento de Artes da UECE<\/h5>\t\t\t

Works recorded: Suite Russana, Op. 11 e Fantasia sobre a Mui\u00e9 Render\u00e1, Op. 1a<\/p>\n

Duda Di Cavalcanti, piano, e Syntagma<\/p>\n<\/div>\n\t\t<\/div><\/div><\/div>

\"\"<\/a><\/div><\/div>
Pelos quatro cantos do Brasil<\/h5>\t\t\t

Work recorded: \u00c1gua de Mani, Op.7, for mixed choir<\/p>\n

Coral BDMG, conducted by Eliane Fajioli Lara<\/p>\n<\/div>\n\t\t<\/div><\/div><\/div>

\"\"<\/a><\/div><\/div>
Sinfonia dos 500 Anos<\/h5>\t\t\t

Work recorded: Uma Lenda Ind\u00edgena Brasileira, Op.40<\/p>\n

Orquestra Sinf\u00f4nica do Recife, conducted by Carlos Veiga<\/p>\n<\/div>\n\t\t<\/div><\/div><\/div>

\"\"<\/div><\/div>
Filarm\u00f4nica SESC Cear\u00e1 – O Erudito e o Popular<\/h5>\t\t\t

Work recorded: O \u00daltimo Dia de Canudos, Op.5, for symphony orchestra<\/p>\n

Filarm\u00f4nica SESC Cear\u00e1, conducted by Gladson Carvalho<\/p>\n<\/div>\n\t\t<\/div><\/div><\/div>

\"\"<\/a><\/div><\/div>
Cello Matters<\/h5>\t\t\t

Work recorded: Concerto for Cello and Orchestra, Op.53<\/p>\n

Dennis Parker, cello, and LSU Volunteer Chamber Orchestra<\/p>\n<\/div>\n\t\t<\/div><\/div><\/div>

\"\"<\/a><\/div><\/div>
Music from Solo Flute – from LSU and Greece<\/h5>\t\t\t

Work recorded: Seresta No.2, Op.59b<\/p>\n

Iwona Glinka, flute<\/p>\n<\/div>\n\t\t<\/div><\/div><\/div>

\"\"<\/div><\/div>
IBEU – 6\u00ba Concurso Nacional de M\u00fasica<\/h5>\t\t\t

Work recorded: Seresta No.5, Op.62b, for piano quartet<\/p>\n

Ricardo Amado, violin, Jairo Diniz, viola, Hugo Pilger, cello, and Andr\u00e9 Carrara, piano<\/p>\n<\/div>\n\t\t<\/div><\/div><\/div>

\"\"<\/a><\/div><\/div>
LSU Composers Forum with Louisiana Sinfonietta and Soloists<\/h5>\t\t\t

Works recorded: Three Miniatures for Oboe and Strings, Op.44a, and Brazilian Landscapes No.1, Op.75, for piano trio<\/p>\n

Louisiana Sinfonieta and Soloists, Natalie Van Burkleo, violin, Semiramis Costa, cello, and Maria Di Cavalcanti, piano<\/p>\n<\/div>\n\t\t<\/div><\/div><\/div>

\"\"<\/a><\/div><\/div>
Syntagma – Miracula<\/h5>\t\t\t

Works recorded: Suite Russana, Op.11, for harpsichord, and Seresta No.9, Op.83, for ensemble<\/p>\n

Syntagma<\/p>\n<\/div>\n\t\t<\/div><\/div><\/div>

\"\"<\/a><\/div><\/div>
Masks – Rex Richardson<\/h5>\t\t\t

Work recorded: Seresta No.4, Op.61, for trumpet and piano<\/p>\n

Rex Richardson, trumpet, and Jan Grimes, piano<\/p>\n<\/div>\n\t\t<\/div><\/div><\/div>

\"\"<\/a><\/div><\/div>
Seresta – Music from South America<\/h5>\t\t\t

Works recorded: Sonata for violoncello and piano No.1, Op.91, and Seresta No.15, Op. 108, for cello, piano, voice and percussion<\/p>\n

Martin Merker, cello, Anna Adamik, piano, Mar\u00edlia Vargas, voice, and Wolfgang Lindner, percussion<\/p>\n<\/div>\n\t\t<\/div><\/div><\/div>

\"\"<\/a><\/div><\/div>
Saxofonia<\/h5>\t\t\t

Works recorded: Pau-brasil, Op. 38, for saxophone quartet<\/p>\n

Saxofonia – Quarteto de Saxofones<\/p>\n<\/div>\n\t\t<\/div><\/div><\/div>

\"\"<\/a><\/div><\/div>
Acentos<\/h5>\t\t\t

Work recorded: The Hollow Earth, Op. 70, for flute, viola, and harp<\/p>\n

Jessica Warren-Acosta, flute<\/p>\n<\/div>\n\t\t<\/div><\/div><\/div>

\"\"<\/a><\/div><\/div>
Brazilian Soundscapes<\/h5>\t\t\t

Work recorded: Brazilian Landscapes No.8, for solo flute<\/p>\n

Danilo Mezzadri, flute<\/p>\n<\/div>\n\t\t<\/div><\/div><\/div>

\"\"<\/a><\/div><\/div>
Quinteto Bras\u00edlia – Brincadeira a Cinco<\/h5>\t\t\t

Works recorded: Suite Herm\u00e9tica, Op. 95, and Ajubete Jep\u00ea Am\u00f4 Mba\u00ea, Op. 10<\/p>\n

Quinteto Bras\u00edlia<\/p>\n<\/div>\n\t\t<\/div><\/div><\/div>

\"\"<\/a><\/div><\/div>
L\u00facia Barrenechea – Saracoteio<\/h5>\t\t\t

Works recorded: Suite Russana, Op. 11, and Sert\u00e3o Central, Op. 84<\/p>\n

L\u00facia Barrenechea, piano<\/p>\n<\/div>\n\t\t<\/div><\/div><\/div>

\"\"<\/a><\/div><\/div>
Jos\u00e9 Medeiros – Obo\u00e9 do Brasil<\/h5>\t\t\t

Work recorded: Goyazes, Op.147, for oboe and string quartet<\/p>\n

Jos\u00e9 Medeiros (oboe) and Quarteto de Cordas de Bras\u00edlia<\/p>\n<\/div>\n\t\t<\/div><\/div><\/div>

\"\"<\/a><\/div><\/div>
Music from the Americas<\/h5>\t\t\t

Work recorded: Suite Herm\u00e9tica, Op.95, for woodwind quintet<\/p>\n

Lieurance Woodwind Quintet<\/p>\n<\/div>\n\t\t<\/div><\/div><\/div>

\"\"<\/a><\/div><\/div>
The Greenbrook Ensemble<\/h5>\t\t\t

Works recorded: Impress\u00f5es Sobrais, Op.131 , and Brazilian Landscapes No.8, Op.125<\/p>\n

Greenbrook Ensemble, Jessica Dunnavant, flute, and Paula Van Goes, saxofone<\/p>\n<\/div>\n\t\t<\/div><\/div><\/div>

\"\"<\/a><\/div><\/div>
Ziriguidum<\/h5>\t\t\t

Work recorded: Zumbi dos Palmares, Op. 89, for percussion quartet<\/p>\n

Grupo de Percuss\u00e3o da UFBA, directed by Jorge Sacramento<\/p>\n<\/div>\n\t\t<\/div><\/div><\/div>

\"\"<\/a><\/div><\/div>
The Alexander-Soares Duo – Music for violin and piano by Liduino Pitombeira<\/h5>\t\t\t

Works recorded: Sonatas for violin and piano #1,#2,#3,#4, and #5<\/p>\n

The Alexander-Soares Duo: James Alexander and Luciana Soares<\/p>\n<\/div>\n\t\t<\/div><\/div><\/div>

\"\"<\/a><\/div><\/div>
Reflexos do Brasil<\/h5>\t\t\t

Work recorded: Salmo 1, Op.167, for mixed choir<\/p>\n

Coral dos Canarinhos de Petr\u00f3polis, conducted by Marco Aur\u00e9lio Lischt<\/p>\n<\/div>\n\t\t<\/div><\/div><\/div>

\"\"<\/a><\/div><\/div>
Duo Palheta ao Piano<\/h5>\t\t\t

Work recorded: The Magic Square, Op. 34, for clarinet and piano<\/p>\n

Duo Palheta ao Piano: Jairo Wilkens and Clenice Ortigara<\/p>\n<\/div>\n\t\t<\/div><\/div><\/div>

\"\"<\/div><\/div>
M\u00fasica para Cordas<\/h5>\t\t\t

Work recorded: Interse\u00e7\u00f5es, Op. 142, for solo cello<\/p>\n

Felipe Avellar de Aquino (cello).<\/p>\n<\/div>\n\t\t<\/div><\/div><\/div>

\"\"<\/a><\/div><\/div>
OSUSP<\/h5>\t\t\t

Work recorded: Appassionata, Op. 185, for symphony orchestra<\/p>\n

Orquestra Sinf\u00f4nica da USP, conducted by Wagner Polistchuk<\/p>\n<\/div>\n\t\t<\/div><\/div><\/div>

\"\"<\/a><\/div><\/div>
Orquestra do Limiar – Mosaico Brasileiro<\/h5>\t\t\t

Work recorded: Limiar, Op.191, for string orchestra<\/p>\n

Orquestra do Limiar, conducted by Samir W. Rahme<\/p>\n<\/div>\n\t\t<\/div><\/div><\/div>

\"\"<\/a><\/div><\/div>
Su\u00edte Contempor\u00e2nea Brasileira<\/h5>\t\t\t

Works recorded: Tango, Op. 43c, for chamber ensemble and Su\u00edte Herm\u00e9tica, Op.95, for ww quintet<\/p>\n

Camerata Latino Americana<\/p>\n<\/div>\n\t\t<\/div><\/div><\/div>

\"\"<\/a><\/div><\/div>
Duo Barrenechea – Brasileir\u00edssimo<\/h5>\t\t\t

Work recorded: Vitrais, Op. 193, for flute and piano (CD e DVD)<\/p>\n

Duo Barrenechea<\/p>\n<\/div>\n\t\t<\/div><\/div><\/div>

\"\"<\/div><\/div>
Sopros da Cidade<\/h5>\t\t\t

Work recorded: Impress\u00f5es Quixer\u00e9s, Op. 160, for two flutes<\/p>\n

Duo Exaudi<\/p>\n<\/div>\n\t\t<\/div><\/div><\/div>

\"\"<\/a><\/div><\/div>
Viola a Rafael<\/h5>\t\t\t

Work recorded: Seresta No.3, Op. 60, for viola and piano<\/p>\n

Rafael Altino e Ana L\u00facia Altino<\/p>\n<\/div>\n\t\t<\/div><\/div><\/div>

\"\"<\/a><\/div><\/div>
A Quirky Dream<\/h5>\t\t\t

Work recorded: Fagocitose, Op. 19, for bassoon and piano<\/p>\n

Gabriel Beavers and Jure Rozman<\/p>\n<\/div>\n\t\t<\/div><\/div><\/div>

\"\"<\/a><\/div><\/div>
Toxic Rainbows<\/h5>\t\t\t

Work recorded: Zumbi dos Palmares, Op. 89, for percussion ensemble<\/p>\n

Hamiruge – The LSU Percussion Group<\/p>\n<\/div>\n\t\t<\/div><\/div><\/div>

\"\"<\/a><\/div><\/div>
do tempo falando um peda\u00e7o<\/h5>\t\t\t

Work recorded: Seresta No.16, Op. 124, for voice, flute, and piano<\/p>\n

Joana Ang\u00e9lica, Maria Di Cavalcanti, and Heriberto Porto<\/p>\n<\/div>\n\t\t<\/div><\/div><\/div>

\"\"<\/a><\/div><\/div>
Miniaturas, Serestas e outras imagens do Brasil<\/h5>\t\t\t

Works recorded: Tr\u00eas miniaturas para saxophone e piano, Op. 44c, and Seresta No.1, Op.55b<\/p>\n

Duo Heimann-Braga<\/p>\n<\/div>\n\t\t<\/div><\/div><\/div>

\"\"<\/a><\/div><\/div>
Tuba Brasilis<\/h5>\t\t\t

Work recorded: Seresta No.14, Op. 105, for tuba and piano.<\/p>\n

Alberto Savio Khattar and Miriam Braga<\/p>\n<\/div>\n\t\t<\/div><\/div><\/div>

\"\"<\/a><\/div><\/div>
The Eternal City<\/h5>\t\t\t

Work recorded: Alc\u00e1cer-Quibir, Op. 195, for French horn quartet.<\/p>\n

Trompas Lusas<\/p>\n<\/div>\n\t\t<\/div><\/div><\/div>

\"\"<\/a><\/div><\/div>
Jairo Wilkens – Clarinete Solo Brasileiro<\/h5>\t\t\t

Work recorded: Suite for Clarinet, Op. 65, for solo clarinet.<\/p>\n

Jairo Wilkens<\/p>\n<\/div>\n\t\t<\/div><\/div><\/div>

\"\"<\/a><\/div><\/div>
Imagens Brasileiras<\/h5>\t\t\t

Work recorded: Brazilian Landscape, No.4, Op.85b, for flute and guitar<\/p>\n

Cesar Pereira and Diogo Oliveira<\/p>\n<\/div>\n\t\t<\/div><\/div><\/div>

\"\"<\/a><\/div><\/div>
Festival M\u00fasica Nova<\/h5>\t\t\t

Work recorded: Arlequim Solar, Op.159, for pierrot ensemble<\/p>\n

Ensemble M\u00fasica Nova<\/p>\n<\/div>\n\t\t<\/div><\/div><\/div>

\"\"<\/a><\/div><\/div>
Trio Paineiras interpreta compositores de hoje<\/h5>\t\t\t

Work recorded: Paineiras, Op. 200<\/p>\n

Trio Paineiras<\/p>\n<\/div>\n\t\t<\/div><\/div><\/div>

\"\"<\/a><\/div><\/div>
Rhapsodies around the world<\/h5>\t\t\t

Work recorded: Parish Ode, Op.205<\/p>\n

Guy Yehuda, clarinet – Deborah Moriarty, piano<\/p>\n<\/div>\n\t\t<\/div><\/div><\/div>

\"\"<\/a><\/div><\/div>
Aflu\u00eancias<\/h5>\t\t\t

Work recorded: Jaguaribe, Op.100<\/p>\n

Paula Bujes, violin – Pedro Huff, cello<\/p>\n<\/div>\n\t\t<\/div><\/div><\/div>

\"\"<\/a><\/div><\/div>
De Europa a las Am\u00e9ricas<\/h5>\t\t\t

Work recorded: Fantasia sobre a Mui\u00e9 Rend\u00eara, Op. 1f<\/p>\n

Tr\u00edo Acuarim\u00e1ntima<\/p>\n<\/div>\n\t\t<\/div><\/div><\/div>

\"\"<\/a><\/div><\/div>
T’Rio – Trios Brasileiros<\/h5>\t\t\t

Work recorded: Fantasia sobre a Mui\u00e9 Rend\u00eara, Op. 1f; Japan Op.47c; Brasiliana, Op.173c<\/p>\n

T’Rio<\/p>\n<\/div>\n\t\t<\/div><\/div><\/div>

\"\"<\/a><\/div><\/div>
Axiom Brass – First Impressions<\/h5>\t\t\t

Work recorded: Axiom,\u00a0 Op.204<\/p>\n

Axiom Brass<\/p>\n<\/div>\n\t\t<\/div><\/div><\/div>

\"\"<\/a><\/div><\/div>
SaxBrasil – 10 Anos<\/h5>\t\t\t

Work recorded: Pau-Brasil\u00a0 Op.38<\/p>\n

SaxBrasil Quartet<\/p>\n<\/div>\n\t\t<\/div><\/div><\/div><\/div>","protected":false},"excerpt":{"rendered":"

Some covers have a link Work recorded: Perfei\u00e7\u00e3o, Op. 2 for voice, flute, cello, and piano<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-101","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/pitombeira.com\/wp\/index.php?rest_route=\/wp\/v2\/pages\/101"}],"collection":[{"href":"https:\/\/pitombeira.com\/wp\/index.php?rest_route=\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/pitombeira.com\/wp\/index.php?rest_route=\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/pitombeira.com\/wp\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/pitombeira.com\/wp\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=101"}],"version-history":[{"count":155,"href":"https:\/\/pitombeira.com\/wp\/index.php?rest_route=\/wp\/v2\/pages\/101\/revisions"}],"predecessor-version":[{"id":798,"href":"https:\/\/pitombeira.com\/wp\/index.php?rest_route=\/wp\/v2\/pages\/101\/revisions\/798"}],"wp:attachment":[{"href":"https:\/\/pitombeira.com\/wp\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=101"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}